J.B. Religion Essay -- essays papers

J.B. Religion At the end of Baldwins 1952 novel Go Tell It on the Mountain, John Grimes, the young protagonist, has an epiphany or what is more unremarkably referred to as a visionary conversion experience, a staple of American religious life. He embraces Jesus and endures a state of ecstatic religious mysticism in which he experiences his drifting soul ... anchored in the love of deity (204). Johns rebirth in Christ, his organism saved, is an affirmation of one of the strongest bulwarks in the African American community during slavery, and especially since its abolition the black church. (2) Baldwin has said that everything in Black history comes out of the church. It is non a redemptive rive exclusively a bridge across troubled water, Kalamu ya Salaam interviewing Baldwin responded. It is how we forged our identity (Pratt and Stanley 182). The church is the African Americans inheritance. Black writers and the characters they create are not so easily divested of it, nor sho uld they be. Though John Grimess commitment to Christ is substitute of black assimilation into American (white) culture, this adoption of Christian beliefs not however helped the community forge a stronger connection to their country and society, but it overly enabled slaves and then emancipated Africans to shore up their sense of self-worth and value. African American literature, according to Abena P. A. Busia, has therefore become a drive for self-definition and redefinition, and any parole of this drive must recognize this, its proper context We are speech production from a state of siege (2). John Grimess journey over the track of Go Tell It on the Mountain mirrors this movement from imprisonment to freedom, from a vague sense of self to a greater consciousn... ... dilemma of his protagonist, but too exposing the moral foundations of the institutional pillars in the black community (Bell 224). piece of music criticism of the churchs role in supporting subtle racism is j ustified, it is besides true that John cleverly utilizes the rich resources of the church that were available to him. Would he be better off following Roy into the streets? Or Royal, Gabriels first son, who also found his way into the streets and the reendured a violent death? John cute to be with these boys in the street, heedless and thoughtless, wearing out his treacherous and bewildering luggage compartment (30). He recognizes, however, even in the semi-transparent consciousness of a man-child, that he is being forced to make so cruel a choice (40) betwixt the ways of the world, which in his community can too often allow to violence and self-destruction, and the ways of God.