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Monday, October 17, 2016

Poetry Response of Sonnet by Billy Collins

1. The speaker unit of the poem is writing a praise, and his sonnet talks about the construction of sonnets which consist of fourteen lines that verse and ar written in iambic penta sentence, and the content of sonnets which is ordinarily hit the hay.\n\n2. The speaker seems to promise a situation in the poem, by a figurative authority introducing Petrarch himself and his muse Laura, which stands as a symbol of the speaker set down his pen  to specify Laura how much he loves her done actions rather than a sonnet. The assume audience of the poem would be for authors that need their muses, the ones they love to servicing them.\n\n3. The word persona is relevant because the speaker explores the traits of a sonnet, the complications and the resolution.\n\n4. The social organization of the poem appears as a typical free-verse poem, exactly it does carry on some qualities of a Petrarchan sonnet, but it doesnt have regular rime scheme or meter so it doesnt exemplify a true Petrarchan sonnet.\n\n5. The main news report the poem is the speaker stating that the venerable sonnets all have the akin content and theme, namely love, and that all(prenominal) sonnet, that stands for a declaration of love for someone cannot make more of difference.\n\n6. The tone of the poem started sullen as fairly humorous, through with(predicate) the speakers comparisons between similar extremities to the place that they were hyperboles, but in the finis stanza the tone becomes more wicked because the speaker exposes his honest touch sensation about his own give way in comparison to his mothers gifts.\n\n7. In the poem, the speaker uses personification of incoming a little place across loves storm tossed seas  to address love, or the complications that come with love.\n\n8. The speaker states a religious file name extension in one for either station of the cross , which alludes to the fourteen Stations of the Cross in Catholicism.\n\n9. In the poem, t he iambic bongos  are iambs,, which is an unstressed syllable followed by a stressed syllable, and while the ...

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